Marr | Leith Stevens Collection

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Related Cataloged Material

- Recordings

 

Related Collections By Topic

- Music
- Music: Classical & Sacred
- Music: Jazz & Big Band

Scope and Content of Collection

The Leith Stevens Collection contains test pressings of songs and scores; composed and/or arranged by Leith Stevens for film and television on 10" and 12" acetate discs. There are also twelve 16” transcription discs containing radio broadcast recordings of The Ford Summer Hour and The CBS Saturday Night Swing Club.

Biographical Sketch

Born in Mount Moriah, Missouri, in 1909, composer Leith Stevens grew up in Kansas City. After graduating from high school, Stevens conducted local orchestras and accompanied voice students at the Horner Institute of Music in Kansas City. After graduating Julliard in 1930, Stevens was hired by CBS Radio as a vocal arranger, working his way up to staff conductor by 1933. He conducted and arranged radio shows such as The Columbia Workshop and The Saturday Night Swing Club.

Stevens began his Hollywood career in 1939 composing and conducting arrangements for Edward G. Robinson’s radio series Big Town. He began composing for film and received his first break writing music for the RKO production Syncopation. Some of his most notable works include his experimental and influential science-fiction score for 1949's Destination Moon as well as his groundbreaking all-jazz background scores for films such as 1954's The Wild One and Private Hell 36.

In 1954 Stevens helped found the Composers and Lyricists Guild of America (CLGA), an organization that advocated for the intellectual rights of composers. He served as president of CLGA for 8 years. He was nominated for three Oscars, a Golden Globe, and an Emmy over the course of his long career.

Leith Stevens died of a heart attack upon hearing of the death of his third wife Elizabeth on July 23, 1970. He will be best remembered for his contributions to the evolution of film scoring.

 

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Stuart Hinds, Asst. Dean for Special Collections & Archives
Chuck Haddix, Director of Marr Sound Archives

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